Printmaking Moths and Lightbulbs

I’m back! Can’t believe it’s been way over a year since I wrote a blog. I’m so phenomenally rubbish at this blogging malarky…and Pinterest. People keep telling me that I must blog as it generates interest and a buzz, but when one isn’t is a great place creatively it’s hard to find inspiration to write upbeat things without just drowning in a pool of self pity. And time; time is a big issue.

But here I am, with new work and a confidence boost! Accidentally.moths A3 2d

I began printmaking about a year ago, tentatively re~learning (excuse the wiggle instead of a dash, but my dash button doesn’t work and the wiggle is close enough) techniques I loved 20 years ago. Being a natural 3d artist who used to love drawing, it’s been a rocky road with lots of ups and downs. I naively thought it’d be easy…boy was I wrong, and rightly so! Printmaking is really difficult to succeed in; technically, aesthetically, finding your place in a very popular medium and getting noticed. It’s really really hard, especially with some incredibly talented printmakers out there who blow your mind with their amazing skills and stunning pieces of work. It’s been a steep learning curve and very daunting. I’ve been close to giving up so many times. I stumbled across a wonderful Facebook page called Linocut Friends...it’s given me insight into techniques, different approaches to printmaking with lino, how people tackle different subject matter and, most importantly, a place to share work, ideas and techniques with some really lovely like~minded and encouraging people. A valuable source of inspiration and motivation, especially when one works from home and can feel quite isolated at times.

This January I had another go, having spent last Autumn making another series of Socktacular Max boys, thus putting printmaking aside. I’d fully intended to make some Skylark Urns stock and whilst waiting for a cotton rope delivery, decided to get the ink, lino and sketch book out. The rope arrived but the urns are still waiting.

DSCF4379

I started with moths…thinking moths and poppy seed heads and grasses…people like seed heads and plant based things. Until my fella mentioned lightbulbs and PING! I carved out an old fashioned lightbulb because, you know, their shape is instantly recognisable and pleasin…and nostalgic. I laid them all out, put them through the press and realised I really liked the image. Until this point I’ve been hugely critical of everything I’ve produced in printmaking…finding fault in everything. But I am proud of this new work, for the first time since I began. Obviously nothing is perfect and I can find faults in it, but generally speaking I like it! Oooph, steady on girl!

So much so I’ve made the design into lampshades too!

Through this idea and design, I’ve also realised I’d like to try and create work that voice my thoughts about environmental and social concerns; produce interesting work that sparks debate or a talking point. There’s so much that moths around a lightbulb can say about human nature, as my Etsy listing suggests:

‘The sad folly of moths drawn to light. Transverse Orientation. Does it reflect how our society follows the crowd without question and reason? Confusion. Glimmer of hope. Or a dance of light that goes back since time immemorial…’

And, the huge confidence boost is that I’ve sold some pieces, both on paper and lampshades. To sell some work, when one has struggled immensely with confidence, is a huge deal. It might be insignificant to some, but not to me. It means other people have liked what I’ve made…me, bumbling along with two part time jobs to try and keep my creative ventures alive and having one crisis of confidence after another.

It means I carry on persevering, which is a big thing for me.

But what to do next in printmaking! Oh, the pressure… !!

I might tackle Pinterest tomorrow evening.

 

Thank you for reading.

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