Workers

My recent new, experimental piece is finished…at least I think it finished! Sometimes there’s a clear conclusion to a piece and other times one is left wondering if it is in fact finished, or if missing something, whatever that ‘something’ might be, aesthetically. I’m living with it a while before I print any more. It will be a limited edition of 20.

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I decided to call it ‘Workers’ for several reasons:

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The idea for this image of an ant carrying an unborn baby came about after reading a book to my youngest daughter called ‘There’s a Hair in my Dirt!’. One page talks about ‘slavemaker ants‘, which I’d not heard of before. They steal eggs from other species of ants and once hatched the youngsters are forced into labour for the colony. This idea fascinated me, and coincided with a recent conversation with a friend about education and the idea that our education system is being deliberately ‘dumbed down’ to produce good workers for society. The rights and wrongs of this theory are not being discussed here, and I expect there are plenty of blogs out there exploring this notion. My personal opinion on this matter is not of importance, and in all honesty I’ve not drawn any conclusion for or against…but I wanted to explore the concept metaphorically as it intrigued me. The other coincidence prior to this piece materialising in my mind, and unrelated to the above conversation, is I’d been watching Pink Floyd’s ‘Another Brick In The Wall’ with my eldest daughter.

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Although I have explained the thought process behind this piece, I love hearing how other people interpret what they see. Different eyes and life experiences see things that would have never occured to me:

“Funny how there are systems in nature and in mankind. I like the parallel you’ve drawn (literally!)”

“Body Snatchers” political sci fi thriller — about mind-abduction and conformity.”

and other people see nuture and protection…and others are just freaked out!

What do you see?

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Interestingly, after I’d printed this, I had a play with some rat linocuts I made before Christmas. It has sparked an idea for a whole series which (in my opinion) would make a fantastic exhibition. I’m so excited! I can’t wait!  I’ll save that for another blog….!

 

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Baring my soul

It’s a daunting prospect to try out a new direction of work and the art of procrastination can become, in itself, very creative. Since my ‘Drawn to the Light’ moth piece, my mind has awoken to the idea of exploring concepts, political/social issues; incorporating a  narrative into my work. It’s something I’ve deliberately avoided my whole creative career under the pretence that I didn’t know how to express my thoughts, and actively fought against it whilst at art college in the early 1990s. Art theory and group critiques…I once exaggerated my deafness due to a blocked ear (turned out I had the back of an earing lodged inside my ear) to avoid engaging in the group discussions, especially when it came to my work.

But maybe I’ve just never had anything to say until now.

Since having children, my eyes have been opening for nearly 10 years and I’ve become so much more aware of the world around me…and now maybe I’m ready to use my creative voice. I have always been drawn to artists like Hieronymus Bosch, Mark Chagall, Odilion Redon and, more recently discovered, Leonora Carrington; descriptive symbolism and dreamlike or nightmarish imagery. Their work is intriguing and make you wonder what is going on; there are so many narratives and interpretations that can be read into it.  New and strange worlds exist in their art, what was going on in their minds?

I have lots of ideas for future work…I hope people are kind to me as this really is a scary move. There will be failures, frustrations and hopefully a few successes…and my need to produce ‘saleable’ work to earn a living will be a constant struggle. Please, wish me luck!

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work in progress